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Customer Reviews
Average Rating:
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Jerking the viewer's chain
A politically incorrect melting pot of rural American culture, BSM manages to tackle social, sexual, racial, and political issues without an overly exploitative nature. With an intriguing storyline, an impeccable atmosphere, and great character development, not to mention the incredible performances from both Samuel L. Jackson as a believable southern bluesman named Lazarus and Christina Ricci as a promiscuous Rae, the production and acting are enough to make this a must-see.
Essentially, the movie is just as the previews showed it: a black, southern bluesman finds a scantily clad, waiflike, white slut beaten on the side of the road, and he chains her to a radiator. What's surprising, however, is that the chaining is more symbolic, more metaphorical than actually being provocative or sexual. In fact, it's probably asexual if anything; Lazarus does it to help the healing process, and, by the way, to keep Rae's "itch" from causing her to screw everyone in sight like an overzealous car dealer.
Facing the despair of a difficult, small-town, rural life, one in which each has to deal with past demons - Rae's combination of nymphomania, abandonment, and child abuse, Lazarus' betrayal at the hands of his wife and brother - the two undertake a healing experience together in which their souls are resurrected from an unfortunate demise.
The biggest problem I have with BSM is that it's supposed to be a tale of morality, but it's replete with hypocrisy, thereby tarnishing the message. So the female's carnal urges need to be controlled, but the male sexual urge can be the topic of a crowd-inspiring blues song? Aside from that, the clear racial and sexual messages are askew to say the least. The movie is set in a contemporary setting, but the overtones reek of northern superiority, presenting the premise that if Lazarus had called the police, there is nearly no doubt that he would have been charged, if not convicted - better to just chain the whore to the furnace! Last but not least, for a movie that presumes to teach moral, racial, and sexual lessons, the imagery of enslavement is inappropriate no matter which racial setup is used. Imagine the outcry if Jackson were replaced with Bruce Willis and Ricci were replaced with Gabrielle Union!
Along with a great blues soundtrack, the emotional plot of BSM makes for a pretty good movie. Ultimately, there is a hopeful, positive resolution for both main characters, and the drama is compelling enough to border on greatness. Highly recommended.
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Unexpectedly good
This movie has a serious theme which is sex addiction. It is a real problem that some people have particularly someone that has been abused...The performances were emotionally wrenching at times... people saying this movie was ridiculous are just not aware of what goes on around them. If I had seen this movie 10 yrs ago I probably would have thought it was ridiculous too... get out and meet some people is all I can say to that....
The chain, the anchor became a wonderful symbol and that is in some ways a better symbol of marriage than the rings we wear.
Overall I must recommend it quite highly.
Rating: 
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Unbelievably full of 'soul'.
This movie was painful, beautiful and full of soul. What looks like a swanky sex story on the surface turns out to be a touching, spiritual journey. The soulfull music chosen to accompany was a perfect choice as well, and Sam Jackson looked like he'd been born with a guitar in his hands. Christina Ricci plays a unique role, and very different from her 'little girl' days, as a damaged young woman clinging to an equally emotionally challenged young man played by Justin Timberlake. When her beloved leaves, the one thin thread helping her hold her life together is broken and she's back on the prowl, thinking sex is all that can save her from the wretched past. Beaten up and left for dead by the side of the road, Rae is rescued by a black man named Lazarus. It turns out Lazarus is a bit beaten up by life as well. I love how the 'chain' becomes a beautiful tether of love that helps ground these emotionally scattered people trying so hard to cope with all the pain in their lives. What a fantastic story!
Chrissy K. McVay - Author
Rating: -
Trust the art, maybe not the artist
Upon second viewing, as with Hustle & Flow, I grudgingly acknowledge this is the work of a skilled and intriguing director. The style is high, the cinematography sharp, the story compelling and the acting exemplary. While I am no prude it is perhaps the display of so much unsafe sex, self-abuse, and the lurid nature of the luring that still makes me wince. The marketing of this film is simply deplorable. Christina Ricci herself characterized the ad campaign as a great disappointment. But at its heart and in all its particulars this is an accomplished and moving film, and the soundtrack is bloody fantastic.
Rating: -
Worth seeing again
I saw this film on Cinemax last night and I think I need to see it again. What started as a taut, emotional, sexual rollercoaster ended up losing steam midway through and wrapped up too neatly for me.
Some incredible themes were explored in this film, mainly the exorcising of people's personal demons.
I absolutely loved the relationship between Rae and Laz, brilliantly portrayed by Christina Ricci and Samuel L. Jackson. Really, I think it's some of the best work either actor has ever done and the film is worth watching just for that!
And Justin Timberlake was surprisingly moving in his role. Very impressive!
And the blues! Oh! The blues! AWESOME MUSIC! I loved getting a taste of that culture.
But again, there was this weird drop in pacing about 2/3 of the way through and I really wonder what got lost on the cutting room floor. I'll have to give it another view to see what I might've missed.
