Summertime - Criterion Collection

DVD : Summertime - Criterion Collection

Summertime - Criterion Collection

starring: Katharine Hepburn, Rossano Brazzi, Isa Miranda, Darren McGavin, Mari Aldon
directed by: David Lean



 : Summertime - Criterion Collection
See Larger Image

List Price: $29.95
Our Price: $21.99
You Save: -$7.96 (27%)
Prices subject to change.


Availability: Usually ships in 24 hours




Aspect Ratio: 1.33:1
Audience Rating: Unrated
Binding: DVD
Brand: Image Entertainment
EAN: 9786305094937
Format: Color, Dolby, DVD-Video, NTSC
ISBN: 6305094934
Label: Criterion
Manufacturer: Criterion
Number Of Items: 1
Picture Format: Academy Ratio
Publisher: Criterion
Region Code: 1
Release Date: 1998-09-09
Studio: Criterion
Theatrical Release Date: 1955



Editorial Review:

















Availability: Usually ships in 24 hours


Related Items:
     see more

Related Items:



banned interdit verboden prohibido vietato proibido
  banned    interdit    verboden   vietato     prohibido    verboden  banned      vietato      interdit proibido   vietato       interdit      verboden      banned  prohibido   

Your IP has been blocked. Please perform the action below to regain access.

Code:  security image
Please enter the Code: 



Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - Restoration Lacking
Others have thoroughly reviewed this wonderful and special film. My review is strictly about the picture quality.

Over the years I have heard people comment on the wonderful transfers and restorations that Criterion does. I have only seen two of their releases and both disappoint. The colors of Summertime have a reddish brown tinge that look like typical unrestored color film from the 1950s--particularly, but not restricted to, the flesh tones. Also, the highlights (and this picture is loaded with them since it was filmed in the bright sunlight of Venice) are blown out, with a resulting lack of detail. The picture doesn't look terrible, but it appears to be a few generations removed from the original negative and most certainly doesn't fit the definition of "restored." I don't know for certain but I doubt that Criterion, despite the premium price of their products, has the budget for proper film restorations that you would get from Warner Brothers or the other majors. I was expecting to see this film in its original beauty, but all I got was another over-priced DVD from a company that apparently gives only lip service to quality.



Rating: 5 out of 5 stars - A Dream Come True
Watched this as a child and dreamed of seeing the beautiful Venice in which it is lovingly filmed. Wanted the courage of Kate's character to just go where I had dreamed, on my own. Have now twice. Loved having the chance to relieve the enchantment I felt as a child at the cinematic beauty of this film.



Rating: 4 out of 5 stars - Dated Story in a Timeless City
Although the story is somewhat dated (the 1950's) the travel log of Venice is timeless. It is beautifully filmed in three of the five Districts of Venice ( The Dorsoduro, San Marco, and a very little in the Cannaregio Districts of Venice). Like the palazzos of this fascinating city, the love story portrayed by Hepburn's and Brazzi's characters is etched into a specific time period, and by today's standards seems dated, it is the love affair between the filmmaker and Venice that remains eternal. After watching the film you want to call your travel agent and book a trip to Venice as soon as possible.
P. S. And when you get there you can still buy one of those red goblets, made famous by the film, now known as The Summertime Glass.




Rating: 5 out of 5 stars - Practically Perfect in Every Way!
This is one of the greatest films ever made! I shall tell you why:



1. The acting is impeccable, superb, and just wonderful! Kate Hepburn really shines the most in this, she's one of my favourites, has been for many years, and this has got to be one of her best performances ever, which is saying something! She's the everyday woman ~ she's easy to identify with on so many different levels. With each little nuance you see bits of her soul illuminated, making one pretty tapestry of raw emotion, the good criss crossing with the bad.
Rossano Brazzi is also very well used here, he draws you in with such charisma and charm, it's easy to see why he became so popular with Americans as well as his fellow countrymen.



2. The location. This was all shot on location in Venice, which was quite a rarity for the time. The scenery is breathtaking, the colours grab you, the feel of the city envelops your senses every minute, from beginning to end.



3. The cinematography is aweinspiring. The shots are enthusiastic fireballs that you greedily devour with hungry eyes. From the gray slightly drab coach on the train to the vivid rainbow houses of Venice, you're taken on a dizzying journey of aesthetic delight.



4. The story. It's timeless, revealing layers of the basic human condition ~ it's fraility, it's triumphs, it's vulnerability, it's ugliness, and it's beauty are all shown here. One of the things that defines this film from others is that it's a film that's not afraid to take chances and stand out from all of the rest. What you expect doesn't happen and what you don't expect does. One of those gems that isn't so well known, but should be.



This is just a wonderful, lovely, gorgeous film and I highly recommend it to everyone!



Rating: 5 out of 5 stars - Just love this movie!
Saw this movie many years ago on Movie Classic channel and just love it, but never saw it again. Finally on Amazon, found the movie and ordered it. Thanks a million!



read more customer reviews on Summertime - Criterion Collection


 




Plqsma TV
Kitchen and Housewares equipment




The Mac community this week found itself debating an updated Apple Inc. Knowledge Base article that urged users to run antivirus software -- until the document was yanked. Computerworld's Michael DeAgonia breaks the brouhaha down for you.
Add to digg Add to StumbleUpon Add to Twitter Add to Slashdot

For years, architects have gone to great lengths to protect their buildings from marauding skaters. But as aesthetic trends move toward folded planes that transition seamlessly from wall to ceiling and back to wall, designers have been looking to their former adversaries for a lesson in flow.

"We have this fascination with buildings becoming topography," says Alejandro Zaera-Polo, a partner at London's Foreign Office Architects, "and skateboarders have that physical experience." So for a park in Barcelona, his firm extended paving stones up the sides of small hills—to shield vegetation from salty sea breezes. At least that's what it told city officials. But skaters got the message. The resulting quarter-pipe landed on the March 2006 cover of Transworld Skateboarding.

Architect Zaha Hadid shares the love. She wanted her Phaeno Science Center in Germany to be an all-inclusive venue for pedestrians and skateboarders alike. Liability issues prevented skate-park designation—though you'd never guess it from the YouTube videos of pro skaters "visiting" the museum. "We design spaces that are flowing and continuous, and—just by coincidence—skateboarders look for that kind of continuity," Dillon Lin, an architect (and skater) at Hadid's firm, says with a wink.

And though the new Oslo Opera House (shown here) was inspired by the image of two glaciers colliding, the architects at Snøhetta didn't call on glaciologists to help fine-tune the details. They enlisted real experts in twisted planes: skateboarders. "We spoke to them about surface textures and the areas they prefer," architect Simon Ewings says. His firm followed up the conversation with a statement in stone.

Snøhetta used different finishes of marble to guide skaters looking for rideable surfaces. Acoustically sensitive parts, like above the auditorium, got rough marble that's unpleasant to wheel over. But other areas silently beckon skaters. Surfaces rise up all over the place to become ledges, curbs, and benches—like the jagged facets of a glacier (or skate park). One particularly tempting spot is a 3-foot-wide railing of smooth stone. Snøhetta architect Peter Dang is, ahem, absolutely sure it's skatable. "Just make sure to fall toward the inside," he advises.

Tricked Out

The new Oslo Opera House is much more than a temple to the vocal arts. It's a palace of thrash, with as many gnarly facets as the best skate parks. Here are some key features and suggested moves.

Stair Ledge =
50-50 Grind
Marble Bench =
Kick Flip
Sloped Plaza =
Bert Slide
Upper Level =
Acid Drop
Pedestrian Ramp =
Downhill Slalom
Walkway Balustrade =
Switch Crook

Add to Facebook Add to Reddit Add to digg Add to Google


The proposed acquisition of Macromedia by Adobe is not a done deal. Both companies are under the scrutiny of the SEC, and it must also be approved by stockholders. While Macromedia/Adobe gives this process three to nine months, some industry analysts feel that is being overly optimistic. But assuming that all is goes as planned, Macromedia will cease to exist. Everything will be in the Adobe name and with the Adobe interface.


Paul Glen says that fear of layoffs is a de-motivator for creative problem-solvers like those in IT.
Add to digg Add to StumbleUpon Add to Twitter Add to Slashdot





Summertime - Criterion Collection

Shopping