The Band Wagon (Two-Disc Special Edition)

DVD : The Band Wagon (Two-Disc Special Edition)

The Band Wagon (Two-Disc Special Edition)

starring: Fred Astaire, Cyd Charisse, Oscar Levant, Nanette Fabray, Jack Buchanan
directed by: Vincente Minnelli, Richard Schickel



 : The Band Wagon (Two-Disc Special Edition)
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Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
Brand: Warner Brothers
EAN: 9780790795669
Format: Closed-captioned, Color, DVD-Video, Special Edition, Subtitled, NTSC
ISBN: 0790795663
Label: Warner Home Video
Manufacturer: Warner Home Video
Number Of Items: 2
Publisher: Warner Home Video
Region Code: 1
Release Date: 2005-03-15
Studio: Warner Home Video
Theatrical Release Date: 1953-08-07



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Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - Poised ,stylish and elegant musical
Outstanding direction by that master stylist Vincente Minnelli helps make this among the greatest ever musical movies.It deftly manages to both celebrate and gently satirise the genre and its conventions.and in the process delivers superb entertainment .

Astaire plays Tony Hunter a fading Hollywood song and dance man in danger of being forgotten .When we first meet him he is travelling by train to New York to discuss appearing in a musical on Broadway,one written by his friends Lester and Lily Marton .Oscar Levant and Nanette Fabray play these roles with style and skill and the characters are pretty obviously based on the actual songwriters Adolph Green and Betty Comden .He suffers the humiliation of being ignored by the press on arrival and they make a beeline for Ava Gardner,cameoing as herself and looking stunning it must be said.
The musical mintended as genial lightweight entertainment is hijacked by its producer and co-star' English actor manager Jeffrey Cordova(Jack Buchanan) who sees it as a modern day Faust and signs rising ballerina Gaby Gerrard(Cyd Charisse )and ballet choreographer Paul Byrd(James Mitchell)to work on the show.Gaby and Tony clash personally and professionally and the play flops dismally on try out on the road.So the cast re-invent the show as a musical revue anmd the rest as they say is history
The story is slight but musical highlights are plentiful-the Astaire/Buchanan duet on I Giess I'll Have to Change My Plans ;Astaire twinkling through There's A Shine On My Shoes in a New York penny arcade,the sensual pas de deux between Astaire and Charisse to Dancing in the Dark;the legendary Triplets routine in which superb trick photography enables Astaire ,Buchanan and Fabray to perform as toddlers and above all the That's Entertainment number.For my money the showpiece ballet sequence Girl Hunt ,a homage to dance and film noir,is overextended but many will see it as a higlight.
Astaire was never better and projects an endearaing vulnerability as well as unparalleled terpsichorean skills;Charisse is a better dancer than actress but her performance is perectly adequate;Levant and Fabray give well judged performances but the show is stolen for me by the elegant insouciance of Jack Buchanan as a sligtly pretentius "act-or" but who is still a pretty nice guy

Superb design ,outstanding colour and a movie shot through with love for its subjects-movies and theatre .Whats not to love?



Rating: 5 out of 5 stars - Just a Classic
I'm not a fan of musicals or dance. In fact, this dvd looks way out of place in my collection of dvds. But surely there's something seriously wrong with anyone who has lived in this world for a few decades without recognizing something special in Fred Astaire. This is Fred Astaire in a classic Fred Astaire role. And Cyd Charisse? A special lady, special legs (in the class with Juliet Prouse's). What more could you want? It's an unreal world, a movie with no real bad guys (!) and no stomach-turning downward plot twists. Smooth sailing all the way. Those moments when a "downer" result is threatened are completely defanged - no pain, all the emotional drain removed by Astaire's manner. He handles emotional situations as smoothly as he dances. Yes, an unreal world, but spending a little time there is great uplifting escapist entertainment.



Rating: 4 out of 5 stars - That's entertainment!
The Band Wagon was one of those films I'd always managed to miss but which turned out to be a lot of fun. There are minor flaws - Cyd Charisse is unflatteringly shot for much of the picture and is nobody's idea of a prima ballerina, Oscar Levant is clearly well lubricated and sadly well past his prime, while there are quite a few technical fluffs, be it the shadow of the camera making yet another appearance or the stagehand strolling casually across the background in the Louisiana Hayride number, and the Girl Hunt ballet finale goes on far too long as per many post-American in Paris MGM musicals - but Comden and Green's script is so sharp and the numbers so good that none of that really matters. Great fun, and glorious Technicolor too - and theextras package on thetwo-disc set is particularly impressive.



Rating: 4 out of 5 stars - Tha Band Wagon
My husband and I had seen the Nanette Fabray clip of the triplets singing and decided that any movie with a song that goofy had to be worth seeing completely. It took a very patient clerk at a Virgin Megastore to help us discover the name of the movie. It never showed up on any of the movie channels so we bought it on Amazon. We were not disappointed - the movie as a whole was really good. If you were born too late to see these oldies in a theatre and you need a shot of what musicals used to be, they are worth every penny.



Rating: 5 out of 5 stars - my favorite musical
I love this movie. Cyd Charisse is the epitome of elegance dressed in red and dancing with Fred Astaire in the "Girl Hunt Ballet" sequence. In the track with Liza Minnelli and Micheal Feinstein critiquing the movie, Feinstein says that Cyd Charisse was upset that "Two Faced Woman" was rescued from the MGM archives because the number was in her opinion inferior. And actually I agree with Ms. Charisse. The theme of "Two Faced Woman" was developed better in "The Girl Hunt Ballet". If "Two Faced Woman" had been kept, it would've been too melodramatic and it would have been too much foreshadowing of "The Girl Hunt Ballet" ending. As always I am impressed by the sincerity and sheer elegance of the acting and direction.



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Politicians and citizens alike are struggling with the decision to bail out the under-performing American automakers. But what will happen to the cities and towns of the Midwest if the automakers fail? Flint, Michigan provides an interesting template. In the 1960s and 70s, Flint had a population of 200,000 and was home to some 80,000 autoworkers. Today, after many plant closures, relocations, and worker buyouts, only 8,000 autoworkers remain. So, what are we to do with cities like Flint? There have been lots of ideas, like demolishing dilapidated houses, renovating brownfield sites like Chevy-in-the-Hole [pdf], downtown business renovation, and increasing community participation by giving ownership of vacant lots to local homeowners.
Some progress has been made through the efforts of the Genesee County Land Bank, an organization that, "provides six services: demolition, foreclosure prevention, rental management, housing renovation, property maintenance and a side lot program, through which empty lots are sold to adjacent homeowners. It also has developed a Web site to provide quick access to real estate listings and maps, and to allow visitors to communicate with staff through e-mail."

However, not everybody likes what the Land Bank is doing in Flint, including its mayor, who threatened to sue the organization for, "driving the price of real estate down dramatically. They're creating places for rats and prostitutes."

The central question for those interested in the future of Flint seems to be best posed by the authors of the Chevy-in-the-Hole proposal: should developers try to renovate old buildings and build new ones in order to attract new residents and business? Or should developers realize that the people aren't coming back, and in turn tear down abandoned commercial spaces and houses, rid the ground of pollutants, and turn brown sites into greenspace and municipal/state parks, thereby creating a less dense but more appealing city in which to live?

Reimagining Chevy-in-the-Hole blog and more proposals [pdf] for renovating the Flint River District.

The Mac community this week found itself debating an updated Apple Inc. Knowledge Base article that urged users to run antivirus software -- until the document was yanked. Computerworld's Michael DeAgonia breaks down the brouhaha down for you.
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Ted Shelton: "Frankly I felt that BlogOn was a waste of time and money."

I think the BlogOn conference was overproduced. In the name of professionalism the organizing firm turned off potential speakers, oversubscribed sponsors, etc.

I would have liked a debatable topic (aside from *blogging = journalism*. Two people slugging it out. Or a devil's advocate taking challenges from the floor.

I would have liked more hard numbers. Facts. Charts. Diagrams. We have the analytic tools to BS-check them; harder on vague opinions and single-points-of-observation.

I found it disturbing how much money was being commanded (from both attendees and sponsors) for a conference at a university. Maybe it was because it was at Berkeley? Maybe we should have taken over a community college or a Cal State or a DeVry. The facilities costs would have been cheaper at least. I heard an organizer apologize and say the next one would be at a hotel, like that would have been better.

Cost wasn't the whole problem. We're at a stage where early adopters are meeting folks who want to leap the chasm. Huge gaps in knowledge, experience, context, culture, vocabulary. It's the gap.

There are huge ideas to be explored, even in the world of applying blogs to media strategy and the enterprise. And most of the big ideas weren't even on the agenda at BlogOn. Probably because it was catering to those who want to commercialize, fund, and otherwise exploit (excuse me, "get in on") the emerging medium.

Let's fork these conferences so advanced topics on business and technology and culture fit the participants. 

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The Band Wagon (Two-Disc Special Edition)

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