The Big Country

DVD : The Big Country

The Big Country

starring: Gregory Peck, Jean Simmons, Carroll Baker, Charlton Heston, Burl Ives
directed by: William Wyler



 : The Big Country
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Aspect Ratio: 2.35:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 9780792849230
Format: Anamorphic, Closed-captioned, Color, DVD-Video, Subtitled, Widescreen, NTSC
ISBN: 079284923X
Label: MGM (Video & DVD)
Manufacturer: MGM (Video & DVD)
Number Of Items: 1
Picture Format: Anamorphic Widescreen
Publisher: MGM (Video & DVD)
Region Code: 1
Release Date: 2001-03-20
Studio: MGM (Video & DVD)
Theatrical Release Date: 1958-10-01



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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - My purchase of Big Country
The Movie, The Big Country, one of my all time favorites, The price was Great and I received it much sooner than I had expected.
Thanks, Carolyn



Rating: 5 out of 5 stars - One of the best in the westerm genre.
With as title like this, you would expect a big cast of big actors, and this film delivers. It gets center stage in my DVD cabinet, as one of my favorite westerns, and near the top of my alltime favorite movies.



Rating: 5 out of 5 stars - A terrific story and a great family film.
This is a terrific movie and is a fabulous family film. Almost all of the left-wing allegory of the Cold War that William Wyler et al intended in the film is lost to history and will only be noticed by those looking for it. The cast is so fabulous that Charlton Heston is a secondary star in this film. He plays Steve Leech, the foreman of the Terrill Ranch and was raised there since a boy by Major Terrill (played by Charles Bickford).

Gregory Peck plays James McKay, a ship's captain who has come to this "Big Country" to marry the Major's daughter, Patricia (pronounced Patreesha by the Major) played by Caroll Baker. McKay immediately finds himself embroiled in the fight between the poorer but more numerous Hannasseys and the Terrills, who consider themselves more deserving and elite. Each side wants another ranch owned by the local school teacher Julie Maragon (Jean Simmons) because it has the only water in the region. Her family has had the ranch since the family was given it by Mexico generations previously. One of the people McKay has trouble with is the foreman Leech because Leech wants Patricia, but can't have her (since he is a hand and not good enough).

McKay is bewildered by the fight and everyone fails to read McKay correctly. They see his being unwilling to fight and escalate trouble as cowardice and his shrewdness in not being duped into riding a horse that would throw him as timidity. McKay goes about doing what he thinks best when he thinks best and this causes him some trouble, but he has a higher goal in mind. Of course things culminate in a large conflict, but not in the way you might predict and even if you do, it is handled very well.

Burl Ives plays Rufus, the head of the Hannassey clam He is so compelling on the screen that he won the Oscar for best supporting actor in 1958 for this role. Chuck Connors (only 11 years Ives junior) plays his oldest son, Buck. I will leave the rest of the plot for you to discover.

Enjoy it as a straight story and a Western of a different flavor rather than looking for some silly allegory.

Reviewed by Craig Matteson, Ann Arbor, MI




Rating: 5 out of 5 stars - All of the Ingredients for Greatness!
Since the film's plot and cast have been wonderfully discussed here through previous evaluations, I will not belabor the process again.

This wonderful film has all of the ingredients for the perfect movie! In terms of "epic," it would have been cinematic sacrilege to have filmed the tale in anything less then Cinemascope. The actors for all roles were perfectly fitted to what they portrayed, and I have rarely seen, for example, a more deserved Oscar for Best Supporting Actor than Burl Ives! In fact, there is not a weak link in the entire film, which renders it the western equivalent of "The Sting," as it does indeed reach the level of perfection in every regard.

There have been more "exciting" western films produced over the decades, but "The Big Country" subordinates endless gunfire and bloodshed to a complete study in human behaviors, strengths, weaknesses, and romance. Truly one of the best films ever made!



Rating: 5 out of 5 stars - Yes, it is a BIG COUNTRY
I have always loved this movie and the quality of this DVD is great. Very enjoyable.



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Politicians and citizens alike are struggling with the decision to bail out the under-performing American automakers. But what will happen to the cities and towns of the Midwest if the automakers fail? Flint, Michigan provides an interesting template. In the 1960s and 70s, Flint had a population of 200,000 and was home to some 80,000 autoworkers. Today, after many plant closures, relocations, and worker buyouts, only 8,000 autoworkers remain. So, what are we to do with cities like Flint? There have been lots of ideas, like demolishing dilapidated houses, renovating brownfield sites like Chevy-in-the-Hole [pdf], downtown business renovation, and increasing community participation by giving ownership of vacant lots to local homeowners.
Some progress has been made through the efforts of the Genesee County Land Bank, an organization that, "provides six services: demolition, foreclosure prevention, rental management, housing renovation, property maintenance and a side lot program, through which empty lots are sold to adjacent homeowners. It also has developed a Web site to provide quick access to real estate listings and maps, and to allow visitors to communicate with staff through e-mail."

However, not everybody likes what the Land Bank is doing in Flint, including its mayor, who threatened to sue the organization for, "driving the price of real estate down dramatically. They're creating places for rats and prostitutes."

The central question for those interested in the future of Flint seems to be best posed by the authors of the Chevy-in-the-Hole proposal: should developers try to renovate old buildings and build new ones in order to attract new residents and business? Or should developers realize that the people aren't coming back, and in turn tear down abandoned commercial spaces and houses, rid the ground of pollutants, and turn brown sites into greenspace and municipal/state parks, thereby creating a less dense but more appealing city in which to live?

Reimagining Chevy-in-the-Hole blog and more proposals [pdf] for renovating the Flint River District.

The Mac community this week found itself debating an updated Apple Inc. Knowledge Base article that urged users to run antivirus software -- until the document was yanked. Computerworld's Michael DeAgonia breaks down the brouhaha down for you.
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Ted Shelton: "Frankly I felt that BlogOn was a waste of time and money."

I think the BlogOn conference was overproduced. In the name of professionalism the organizing firm turned off potential speakers, oversubscribed sponsors, etc.

I would have liked a debatable topic (aside from *blogging = journalism*. Two people slugging it out. Or a devil's advocate taking challenges from the floor.

I would have liked more hard numbers. Facts. Charts. Diagrams. We have the analytic tools to BS-check them; harder on vague opinions and single-points-of-observation.

I found it disturbing how much money was being commanded (from both attendees and sponsors) for a conference at a university. Maybe it was because it was at Berkeley? Maybe we should have taken over a community college or a Cal State or a DeVry. The facilities costs would have been cheaper at least. I heard an organizer apologize and say the next one would be at a hotel, like that would have been better.

Cost wasn't the whole problem. We're at a stage where early adopters are meeting folks who want to leap the chasm. Huge gaps in knowledge, experience, context, culture, vocabulary. It's the gap.

There are huge ideas to be explored, even in the world of applying blogs to media strategy and the enterprise. And most of the big ideas weren't even on the agenda at BlogOn. Probably because it was catering to those who want to commercialize, fund, and otherwise exploit (excuse me, "get in on") the emerging medium.

Let's fork these conferences so advanced topics on business and technology and culture fit the participants. 

[a klog apart]






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