The Boxer (Collector's Edition)

DVD : The Boxer (Collector's Edition)

The Boxer (Collector's Edition)

starring: Daniel Day-Lewis, Daragh Donnelly, Frank Coughlan, Sean Kearns, Lorraine Pilkington
directed by: Jim Sheridan



 : The Boxer (Collector's Edition)
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Aspect Ratio: 1.66:1
Audience Rating: R (Restricted)
Binding: DVD
Brand: Universal
EAN: 9780783227320
Format: Anamorphic, Closed-captioned, Color, Dolby, DVD-Video, Special Edition, Widescreen, NTSC
ISBN: 0783227329
Label: Universal Studios
Manufacturer: Universal Studios
Number Of Items: 1
Picture Format: Anamorphic Widescreen
Publisher: Universal Studios
Region Code: 1
Release Date: 1998-07-08
Studio: Universal Studios
Theatrical Release Date: 1997-12-31



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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - The Boxer
This movie role of a struggling boxer was brilliantly acted by Daniel Day Lewis. It's a love story about a man who wants to move on with his life after being imprisoned physically and emotionally, and a woman who is tied to her past.



Rating: 5 out of 5 stars - "I've lived with your face in silence."
After reading a couple of mixed reviews about THE BOXER, I delayed seeing it, and I probably would have skipped it entirely if it weren't for the sterling reputations of co-stars Emily Watson and Daniel Day Lewis. (The latter plays the role of Danny Flynn, a man imprisoned for 14 years for his role in an IRA bombing.)

More fool me. THE BOXER slowly impresses the viewer with its complex storyline, quiet demeanor and subtle dialogue. Watson and Lewis absolutely nail their roles as lovers who were separated at the age of 18, and now find themselves in the awkward roles of adults resuming a teenaged courtship. In a Hollywood film, the two would ultimately hop into bed with a rousing musical score; not so here.

While Watson and Lewis bring uncanny eloquence to their soft-spoken characters, perhaps most fascinating about THE BOXER is the culture of Ireland, specifically the political etiquette and sectarian hatred that each character has to dance around with.

SIDELIGHTS: This film is only nominally about boxing. Oh, and the Dublin flats that stand in for this movie's Belfast projects have since been razed, and upscale apartments now stand there.



Rating: 5 out of 5 stars - "I'm no killer, but this place makes me want to kill."
'The Boxer' is a riveting story about one man's struggle during 'The Troubles' of Northern Ireland. The setting is Belfast, where the Catholic and Protestant sections are divided by concrete walls, barb-wire fences, and machine-gun toting soldiers. Danny Flynn, played by Daniel Day-Lewis, is a Catholic former IRA member who is released from prison after serving 14 years. He comes home with the intention of resuming his boxing career, and staying out of trouble. He immediately starts up his old gym, and at first, things are going well. Along with his own training, the gym becomes a sort of refuge for neighborhood kids, and boxing becomes a constructive outlet in an otherwise negative environment. But when the gym starts trying to bring together Catholics and Protestants in the name of boxing, some of Flynn's old IRA comrades think he has gone too far. On top of this, Flynn manages to ruffle more feathers by falling back in love with his old girlfriend, who has since married another imprisoned IRA member. Naturally, in the underworld culture of the IRA, this is a big no-no. Realizing his predicament, Flynn decides to leave for London where he attempts to resume his boxing career. But deciding that no one will run him out of his home, he soon returns to Belfast determined to stand his ground and follow his heart.

This film was right up my alley. I am of Irish descent, I'm a huge boxing fan, and also an aspiring historian. So naturally, a boxing film, set in war-torn Northern Ireland would seem to be my kind of movie. I was not disappointed. The boxing scenes were very well done, and Day-Lewis comes off as a very convincing fighter. He is, in my opinion, one of the best and most under-rated actors in the business. His performance here only reinforced that belief. Overall, the acting in the film was fantastic, with several outstanding performances. 'The Boxer' is simply a great film.




Rating: 5 out of 5 stars - Brilliant film, brilliant acting!
I have never seen a Daniel Day Lewis film that wasn't a true piece of art. His acting is brilliant. Every role he plays in is so believable. Being Irish an a huge boxing fan I truly loved this film. It gave accurate information on the turmoil that is to this day going on in Ireland. A must see, even for the non boxing fans.



Rating: 5 out of 5 stars - THE BOXER - GREAT WITH DAY-LEWIS
Like all really great actors, Daniel Day-Lewis just keeps getting better and better with age. He seems capable of being in any role and delivering the person he is supposed to be. I was fascinated by the fact that he indeed does box and is quite good at it as well. Doesn't surprise me that he is good because this is a man committed to whatever project he undertakes and gives his all. I have not gone into the actual movie here because so many of the reviews reveal so much of the intensity of this marvelous film. I don't think it would have made it without Daniel Day-Lewis. Why isn't he used more frequently? We are missing a lot of wonderful performances. Very good movie about a very sad situation that unfortunately still exists today in many places in this mixed-up world, and did exist in Belfast, Ireland until a relatively short time ago. Thank God there are people that keep trying to come to some kind of resolution when such problems do exist. This movie goes a long way in trying to give a real overview of everyday life that exists when you are forced to live with violence. Try this film. You'll be glad you did.



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Politicians and citizens alike are struggling with the decision to bail out the under-performing American automakers. But what will happen to the cities and towns of the Midwest if the automakers fail? Flint, Michigan provides an interesting template. In the 1960s and 70s, Flint had a population of 200,000 and was home to some 80,000 autoworkers. Today, after many plant closures, relocations, and worker buyouts, only 8,000 autoworkers remain. So, what are we to do with cities like Flint? There have been lots of ideas, like demolishing dilapidated houses, renovating brownfield sites like Chevy-in-the-Hole [pdf], downtown business renovation, and increasing community participation by giving ownership of vacant lots to local homeowners.
Some progress has been made through the efforts of the Genesee County Land Bank, an organization that, "provides six services: demolition, foreclosure prevention, rental management, housing renovation, property maintenance and a side lot program, through which empty lots are sold to adjacent homeowners. It also has developed a Web site to provide quick access to real estate listings and maps, and to allow visitors to communicate with staff through e-mail."

However, not everybody likes what the Land Bank is doing in Flint, including its mayor, who threatened to sue the organization for, "driving the price of real estate down dramatically. They're creating places for rats and prostitutes."

The central question for those interested in the future of Flint seems to be best posed by the authors of the Chevy-in-the-Hole proposal: should developers try to renovate old buildings and build new ones in order to attract new residents and business? Or should developers realize that the people aren't coming back, and in turn tear down abandoned commercial spaces and houses, rid the ground of pollutants, and turn brown sites into greenspace and municipal/state parks, thereby creating a less dense but more appealing city in which to live?

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The Mac community this week found itself debating an updated Apple Inc. Knowledge Base article that urged users to run antivirus software -- until the document was yanked. Computerworld's Michael DeAgonia breaks down the brouhaha down for you.
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Ted Shelton: "Frankly I felt that BlogOn was a waste of time and money."

I think the BlogOn conference was overproduced. In the name of professionalism the organizing firm turned off potential speakers, oversubscribed sponsors, etc.

I would have liked a debatable topic (aside from *blogging = journalism*. Two people slugging it out. Or a devil's advocate taking challenges from the floor.

I would have liked more hard numbers. Facts. Charts. Diagrams. We have the analytic tools to BS-check them; harder on vague opinions and single-points-of-observation.

I found it disturbing how much money was being commanded (from both attendees and sponsors) for a conference at a university. Maybe it was because it was at Berkeley? Maybe we should have taken over a community college or a Cal State or a DeVry. The facilities costs would have been cheaper at least. I heard an organizer apologize and say the next one would be at a hotel, like that would have been better.

Cost wasn't the whole problem. We're at a stage where early adopters are meeting folks who want to leap the chasm. Huge gaps in knowledge, experience, context, culture, vocabulary. It's the gap.

There are huge ideas to be explored, even in the world of applying blogs to media strategy and the enterprise. And most of the big ideas weren't even on the agenda at BlogOn. Probably because it was catering to those who want to commercialize, fund, and otherwise exploit (excuse me, "get in on") the emerging medium.

Let's fork these conferences so advanced topics on business and technology and culture fit the participants. 

[a klog apart]






The Boxer (Collector's Edition)

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