The Conversation

DVD : The Conversation

The Conversation

starring: Gene Hackman, John Cazale, Allen Garfield, Frederic Forrest, Cindy Williams
directed by: Francis Ford Coppola



 : The Conversation
See Larger Image

List Price: $9.98
Our Price: $8.49
You Save: -$1.49 (15%)
Prices subject to change.


Availability: Usually ships in 24 hours




Aspect Ratio: 1.85:1
Audience Rating: PG (Parental Guidance Suggested)
Binding: DVD
Brand: Paramount
EAN: 9780792160878
Format: Closed-captioned, Color, Dolby, DVD-Video, Widescreen, NTSC
ISBN: 0792160878
Label: Paramount
Manufacturer: Paramount
Number Of Items: 1
Picture Format: Anamorphic Widescreen
Publisher: Paramount
Region Code: 1
Release Date: 2000-12-12
Studio: Paramount
Theatrical Release Date: 1974



Editorial Review:

Product DescriptionA young couple is being trailed by a surveillance expert. The problem is are they planning a murder or are they the intended victims. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Michael Higgins Harrison Ford Run time: 113 minutes Rating: Pg Director: Francis Ford Coppola















Availability: Usually ships in 24 hours


Related Items:
     see more

Related Items:



banned interdit verboden prohibido vietato proibido
  banned    interdit    verboden   vietato     prohibido    verboden  banned      vietato      interdit proibido   vietato       interdit      verboden      banned  prohibido   

Your IP has been blocked. Please perform the action below to regain access.

Code:  security image
Please enter the Code: 



Customer Reviews
Average Rating:  out of 5 stars

Rating: 1 out of 5 stars - The Conversation...is a boring one!
Ugh.....I was really psyched to see a film that would be juicy and all I got was a long-drawn-out, hollow flick written, directed and played out by big-time names! I feel like I wasted 2 hrs. of my life watching this thing. Two better films on intrigue are "The Falcon & the Snowman" and "Three Days of the Condor".



Rating: 5 out of 5 stars - The epistemology of sound -- jazz and reverberation
After the success of the first Godfather picture, Francis Ford Coppola could do anything he wanted. He chose a very loose adaptation from the leading character and basic scenario of Michelangelo Antonioni's Blow-up, to create this both exciting and provocative thriller about a surveillance specialist who finds himself involved in a murder plot.

In Blow-up, a fashion photographer takes a picture in the park and comes to believe that he may have evidence of a murder. The difficulty is that the visual evidence is not conclusive -- it demands interpretation and no amount of manipulation can overcome the ambiguity of the image. Here, Harry Caul uses elaborate techniques to record and collect fragments from what seems to be an innocuous conversation, but that he begins to suspect will be used in a murder plot.

Just as Blow-up became not only a film about a photographer and a murderer but also a meditation on vision and on the cinema -- so The Conversation is a rich and sophisticated film about the nature of sound and the interpretation of sound and in particular about the way in which sound is captured for film. Apart from having an excellent jazz soundtrack, the film is very subtle in its sound editing.

It opens on a crowded park, and we immediately become aware that the sound of the crowds and the music and the individual people and the cars is recorded sound. We hear the subtle distortions that come from blowing up sound recorded from a distance, and that in a finished soundtrack would be removed. It turns out we are both watching the crowd and watching and listening in as a couple in the crowd is being recorded through a number of highly specialized surveillance techniques. Later in the film, we are reminded at several points and in several ways that the sound in a film is an artificial construction and that it is independent of the visuals. Some scenes that initially seem like they are part of the normal exegesis of the film, turn out to be reconstructions based on how certain characters heard and interpreted recorded sound; in other scenes the aural artifacts we have become familiar with show up to indicate that we can never be sure whether the sound is just part of the film or whether it is being recorded by a third party.

This is an excellent film on a number of levels, as a political thriller, as a portrait of a paranoid individual, but also as a meditation on the nature of sound in film. Definitely one to watch ... and listen to.



Rating: 5 out of 5 stars - CALLING HARRY CAUL
Outstanding psychhological and spiritual film that, because of the content, is basically timeless. Hackman (Caul) is an expert on private surveillance work.A sordid past has cost him 3 innocent lives in the !960's while doing govermental work. His contention circa 1975 is that he is a private contractor who delivers his "bugging" work for a fee. Paranoid that he's being watched, and totally convinced that he's stumbled across another potential murder, he hasn't the courage to contact the police, for fear (real or imagined) of his own safety and reputation. Instead he freezes,and contents himself with eavesdropping on the homicide. Only afterwards does he involve himself in the surprising conclusion, thereby aiding his subsequent psychiatric breakdown.Throughout,Hackman gives a first rate performance, and Coppola's production and direction are, well, what one expects from him. Look for baby faced Harrison Ford; you may have trouble recognizing him.



Rating: 5 out of 5 stars - ONE OF THE BEST FILM SCORES OF ALL-TIME
This is one of the finest films of the 1970s. The plot, the character development, the acting, and the directing are all outstanding. However, the thing that gets talked about the least is the musical score from the film by David Shire. How this did not even receive an Oscar nomination is a crime. Not until a couple of years ago did it become available on CD (or in any form for that matter). If you loved the film, purchase the soundtrack. It is hard to find but you won't be disappointed. Unless you dislike intelligent films and only watch action or comedy flicks, then you will enjoy this classic. Movies today have an overload of fast paced edits. If that is all you are used to, then I guess you might not care for this.



Rating: 1 out of 5 stars - A Little Less Conversation, A Little More Action...
I went into this movie knowing a few things. It was written and directed by Coppola. It starred Hackman has a wiretapper. And it is a classic 4-star film that I saw Ebert & Roeper rave about a few years ago.

The subject matter, a professional wiretapper, is interesting. As it turns out, the film is a bore. Bore, bore, bore, bore, bore.

Now, I'm not saying I wanted to see contrived, endless chases and explosions a la Michael Bay; but it would have been nice if SOMETHING would have happened...you know...every once and a while.

If I had seen it in a theatre I probably would have walked out. If not, I definitely would have wished I had. And that's my definition of a 1-star film.



read more customer reviews on The Conversation


 




  flstpanel
Fashion Jewelry   equipment




Politicians and citizens alike are struggling with the decision to bail out the under-performing American automakers. But what will happen to the cities and towns of the Midwest if the automakers fail? Flint, Michigan provides an interesting template. In the 1960s and 70s, Flint had a population of 200,000 and was home to some 80,000 autoworkers. Today, after many plant closures, relocations, and worker buyouts, only 8,000 autoworkers remain. So, what are we to do with cities like Flint? There have been lots of ideas, like demolishing dilapidated houses, renovating brownfield sites like Chevy-in-the-Hole [pdf], downtown business renovation, and increasing community participation by giving ownership of vacant lots to local homeowners.
Some progress has been made through the efforts of the Genesee County Land Bank, an organization that, "provides six services: demolition, foreclosure prevention, rental management, housing renovation, property maintenance and a side lot program, through which empty lots are sold to adjacent homeowners. It also has developed a Web site to provide quick access to real estate listings and maps, and to allow visitors to communicate with staff through e-mail."

However, not everybody likes what the Land Bank is doing in Flint, including its mayor, who threatened to sue the organization for, "driving the price of real estate down dramatically. They're creating places for rats and prostitutes."

The central question for those interested in the future of Flint seems to be best posed by the authors of the Chevy-in-the-Hole proposal: should developers try to renovate old buildings and build new ones in order to attract new residents and business? Or should developers realize that the people aren't coming back, and in turn tear down abandoned commercial spaces and houses, rid the ground of pollutants, and turn brown sites into greenspace and municipal/state parks, thereby creating a less dense but more appealing city in which to live?

Reimagining Chevy-in-the-Hole blog and more proposals [pdf] for renovating the Flint River District.

The Mac community this week found itself debating an updated Apple Inc. Knowledge Base article that urged users to run antivirus software -- until the document was yanked. Computerworld's Michael DeAgonia breaks down the brouhaha down for you.
Add to digg Add to StumbleUpon Add to Twitter Add to Slashdot

Ted Shelton: "Frankly I felt that BlogOn was a waste of time and money."

I think the BlogOn conference was overproduced. In the name of professionalism the organizing firm turned off potential speakers, oversubscribed sponsors, etc.

I would have liked a debatable topic (aside from *blogging = journalism*. Two people slugging it out. Or a devil's advocate taking challenges from the floor.

I would have liked more hard numbers. Facts. Charts. Diagrams. We have the analytic tools to BS-check them; harder on vague opinions and single-points-of-observation.

I found it disturbing how much money was being commanded (from both attendees and sponsors) for a conference at a university. Maybe it was because it was at Berkeley? Maybe we should have taken over a community college or a Cal State or a DeVry. The facilities costs would have been cheaper at least. I heard an organizer apologize and say the next one would be at a hotel, like that would have been better.

Cost wasn't the whole problem. We're at a stage where early adopters are meeting folks who want to leap the chasm. Huge gaps in knowledge, experience, context, culture, vocabulary. It's the gap.

There are huge ideas to be explored, even in the world of applying blogs to media strategy and the enterprise. And most of the big ideas weren't even on the agenda at BlogOn. Probably because it was catering to those who want to commercialize, fund, and otherwise exploit (excuse me, "get in on") the emerging medium.

Let's fork these conferences so advanced topics on business and technology and culture fit the participants. 

[a klog apart]






The Conversation

Shopping