The Dark Knight (Full-Screen Single-Disc Edition)

DVD : The Dark Knight (Full-Screen Single-Disc Edition)

The Dark Knight (Full-Screen Single-Disc Edition)

starring: Christian Bale, Heath Ledger, Maggie Gyllenhaal, Aaron Eckhart, Michael Caine



 : The Dark Knight (Full-Screen Single-Disc Edition)
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Aspect Ratio: 1.33:1
Audience Rating: PG-13 (Parental Guidance Suggested)
Binding: DVD
EAN: 0883929031283
Format: AC-3, Color, Dolby, DVD-Video, Full Screen, NTSC
Label: Warner Home Video
Manufacturer: Warner Home Video
Number Of Items: 1
Publisher: Warner Home Video
Region Code: 1
Release Date: 2008-12-09
Studio: Warner Home Video
Theatrical Release Date: 2008



Editorial Review:

Amazon.comThe Dark Knight arrives with tremendous hype (best superhero movie ever? posthumous Oscar for Heath Ledger?), and incredibly, it lives up to all of it. But calling it the best superhero movie ever seems like faint praise, since part of what makes the movie great--in addition to pitch-perfect casting, outstanding writing, and a compelling vision--is that it bypasses the normal fantasy element of the superhero genre and makes it all terrifyingly real. Harvey Dent (Aaron Eckhart) is Gotham City's new district attorney, charged with cleaning up the crime rings that have paralyzed the city. He enters an uneasy alliance with the young police lieutenant, Jim Gordon (Gary Oldman), and Batman (Christian Bale), the caped vigilante who seems to trust only Gordon--and whom only Gordon seems to trust. They make progress until a psychotic and deadly new player enters the game: the Joker (Heath Ledger), who offers the crime bosses a solution--kill the Batman. Further complicating matters is that Dent is now dating Rachel Dawes (Maggie Gyllenhaal, after Katie Holmes turned down the chance to reprise her role), the longtime love of Batman's alter ego, Bruce Wayne.

In his last completed role before his tragic death, Ledger is fantastic as the Joker, a volcanic, truly frightening force of evil. And he sets the tone of the movie: the world is a dark, dangerous place where there are no easy choices. Eckhart and Oldman also shine, but as good as Bale is, his character turns out rather bland in comparison (not uncommon for heroes facing more colorful villains). Director-cowriter Christopher Nolan (Memento) follows his critically acclaimed Batman Begins with an even better sequel that sets itself apart from notable superhero movies like Spider-Man 2 and Iron Man because of its sheer emotional impact and striking sense of realism--there are no suspension-of-disbelief superpowers here. At 152 minutes, it's a shade too long, and it's much too intense for kids. But for most movie fans--and not just superhero fans--The Dark Knight is a film for the ages. --David Horiuchi
















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Customer Reviews
Average Rating:  out of 5 stars

Rating: 2 out of 5 stars - Too long, too much dialog...
The spent way too much time trying to make you care about the story, which no one does. Stick to the action - that's what comic books are about.



Rating: 5 out of 5 stars - One of the greatest movie of all time
By far this is the greatest Batman movie of all time. This movie has everything from action/adventure to drama to romance. It is by far the greatest movie in history. enough said. Highly recommend this movie for all ages.



Rating: 4 out of 5 stars - No single disc blu-ray?
No single disc blu-ray? I grew weary of "extras" a couple of years ago; I just want the movie, and I won't pay for content I don't want.



Rating: 2 out of 5 stars - Earnest but very flawed movie
Screenwriter David Goyer said the theme of BATMAN BEGINS is fear, and that of THE DARK KNIGHT is escalation. I agree on BB, but feel the main TDK theme is morality. TDK shows Batman standing for purposeful combating of violent crime with disciplined action that forbids killing. The Joker stands for obliterating morality and all ethical principles by chaos and wanton destruction. The Joker does everything he can to get Gotham's people to betray all moral principles, in his grim and brutal quest to prove no one holds principles -- therefore indicating an amoral and ludicrous world.

At least Christopher Nolan has taken Batman to FAR higher artistic ground than the live-action portrayals between Burton's and his. There's something in TDK for a lot of people except little kids, unless they've become very numbed and desensitized by abundant portrayals of viciousness and violence. If we want a lot of ugly grit, TDK has truckloads. If we want heroism, there's some here and there with Bruce Wayne/Batman, Lucius Fox, Jim Gordon, Rachel Dawes, even Harvey Dent, and even some less important individuals. If we want less brutality -- well, there are other movies or conceivable editions of this one that could help it a lot.

The most touching part of the movie for me is the high tragedy of Harvey Dent -- and also that he dies! NO!! I really cared about Harvey. I pulled for him while watching his ideals, his bravery, his commitment, and his character flaws degrade him into the Joker's world of madness, chaos and hopelessness. The Joker won with Harvey, but lost with Batman and also with enough good citizens of Gotham, including with even some of its criminals. But the morality drama plays on. Will the Joker corrupt enough good people? Will Batman weaken and betray his principles? Is life senseless, purposeless, chaotic, ridiculous, insignificant? Or can there be purpose, heroism, and progress even in the darkest hours? Can Harvey Dent be resurrected!

I'm not surprised Christopher Nolan confided he'd like to stop doing Batman movies. As I see it, grimness and brutality can go only so far in eclipsing drama, adventure, and heroism born of more imagination and intrigue -- before wearing even a maker's morale and energy down. Alfred Hitchcock could make us tensely sit on the edge of our seats for an hour or more, just waiting for one gunshot, with far less sprays of violence to cover up assorted plot weaknesses typical of so many action films. And this brings me to issues I take with TDK, and because of which I'd prefer a greatly cut version. In fact, there was so much of the Clown Prince of Crime in this film, it really should've been called THE JOKER. Batman seems only an incidental character.

- The film is far too long -- by about 45 minutes. A lot of repetitive stuff in simply different guises.
- The Scarecrow is completely unnecessary.
- The phony Batmen do nothing to help the story.
- Drama, tragedy, and heroism could be much better with less unrelenting and numbing brutality.
- Who would follow a Joker who has his henchmen routinely kill each other? Too incredible.
- The more high-tech a Batman suit looks, the less organic and the less gut scary.

Those things said:

- Great skyhook sequence.
- Good recovery of Rachel's character, interest and appeal compared to BEGINS.
- Heath Ledger is scary, insane, Oscar-deserving -- but not a wacky, cackling Joker.
- Thrilling Bat-Pod sequences.
- Amusing with a would-be blackmailer.

Again, there might be some things in TDK for various tastes -- although many folks like yours truly don't want so much wading through it, and the resultant huge boredom. I hope No. 3 will be less wantonly brutal, more imaginative, have a much more comic-book-inspired armored Batman outfit, and be MUCH tighter put together.





Rating: 5 out of 5 stars - Immmpressssssiveeeeeeeee
This masterpiece is absolutely brilliant from start to finish just like Batman Begins. I give major thanks to Chris Nolan and the entire cast:)



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Politicians and citizens alike are struggling with the decision to bail out the under-performing American automakers. But what will happen to the cities and towns of the Midwest if the automakers fail? Flint, Michigan provides an interesting template. In the 1960s and 70s, Flint had a population of 200,000 and was home to some 80,000 autoworkers. Today, after many plant closures, relocations, and worker buyouts, only 8,000 autoworkers remain. So, what are we to do with cities like Flint? There have been lots of ideas, like demolishing dilapidated houses, renovating brownfield sites like Chevy-in-the-Hole [pdf], downtown business renovation, and increasing community participation by giving ownership of vacant lots to local homeowners.
Some progress has been made through the efforts of the Genesee County Land Bank, an organization that, "provides six services: demolition, foreclosure prevention, rental management, housing renovation, property maintenance and a side lot program, through which empty lots are sold to adjacent homeowners. It also has developed a Web site to provide quick access to real estate listings and maps, and to allow visitors to communicate with staff through e-mail."

However, not everybody likes what the Land Bank is doing in Flint, including its mayor, who threatened to sue the organization for, "driving the price of real estate down dramatically. They're creating places for rats and prostitutes."

The central question for those interested in the future of Flint seems to be best posed by the authors of the Chevy-in-the-Hole proposal: should developers try to renovate old buildings and build new ones in order to attract new residents and business? Or should developers realize that the people aren't coming back, and in turn tear down abandoned commercial spaces and houses, rid the ground of pollutants, and turn brown sites into greenspace and municipal/state parks, thereby creating a less dense but more appealing city in which to live?

Reimagining Chevy-in-the-Hole blog and more proposals [pdf] for renovating the Flint River District.

The Mac community this week found itself debating an updated Apple Inc. Knowledge Base article that urged users to run antivirus software -- until the document was yanked. Computerworld's Michael DeAgonia breaks down the brouhaha down for you.
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Ted Shelton: "Frankly I felt that BlogOn was a waste of time and money."

I think the BlogOn conference was overproduced. In the name of professionalism the organizing firm turned off potential speakers, oversubscribed sponsors, etc.

I would have liked a debatable topic (aside from *blogging = journalism*. Two people slugging it out. Or a devil's advocate taking challenges from the floor.

I would have liked more hard numbers. Facts. Charts. Diagrams. We have the analytic tools to BS-check them; harder on vague opinions and single-points-of-observation.

I found it disturbing how much money was being commanded (from both attendees and sponsors) for a conference at a university. Maybe it was because it was at Berkeley? Maybe we should have taken over a community college or a Cal State or a DeVry. The facilities costs would have been cheaper at least. I heard an organizer apologize and say the next one would be at a hotel, like that would have been better.

Cost wasn't the whole problem. We're at a stage where early adopters are meeting folks who want to leap the chasm. Huge gaps in knowledge, experience, context, culture, vocabulary. It's the gap.

There are huge ideas to be explored, even in the world of applying blogs to media strategy and the enterprise. And most of the big ideas weren't even on the agenda at BlogOn. Probably because it was catering to those who want to commercialize, fund, and otherwise exploit (excuse me, "get in on") the emerging medium.

Let's fork these conferences so advanced topics on business and technology and culture fit the participants. 

[a klog apart]






The Dark Knight (Full-Screen Single-Disc Edition)

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