Tommy

DVD : Tommy

Tommy

starring: Roger Daltrey, Ann-Margret, Oliver Reed, Elton John, Eric Clapton
directed by: Ken Russell



 : Tommy
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Aspect Ratio: 1.85:1
Audience Rating: PG (Parental Guidance Suggested)
Binding: DVD
EAN: 9780767818131
Format: Anamorphic, Closed-captioned, Color, Dolby, DVD-Video, Full Screen, Widescreen, NTSC
ISBN: 076781813X
Label: Sony Pictures
Manufacturer: Sony Pictures
Number Of Items: 1
Publisher: Sony Pictures
Region Code: 1
Release Date: 1999-09-28
Studio: Sony Pictures
Theatrical Release Date: 1975



Editorial Review:

Amazon.comIf you've ever wanted to hear Jack Nicholson sing (or try to) or marvel at the sight of Ann-Margret drunkenly cavorting in a cascade of baked beans, Tommy is the movie you've been waiting for. As it turns out, the Who's brilliant rock opera is sublimely matched to director Ken Russell's penchant for cinematic excess, and this 1975 production finds Russell at the peak of his filmmaking audacity. It's a fever-dream of musical bombast, custom-fit to the thematic ambition of Pete Townshend's epic rock drama, revolving around the titular 'deaf, dumb, and blind kid' (played by Who vocalist Roger Daltrey) who survives the childhood trauma that stole his senses to become a Pinball Wizard messiah in Townshend's grandiose attack on the hypocrisy of organized religion.

The story is remarkably coherent considering the hypnotic dream-state induced by Russell's visuals. Tommy's odyssey is rendered through wall-to-wall music, each song representing a pivotal chapter in Tommy's chronology, from the bloodstream shock of 'The Acid Queen' (performed to the hilt by Tina Turner) to Nicholson's turn as a well-intentioned physician, Elton John's towering rendition of 'Pinball Wizard,' and Daltrey's epiphanous rendition of 'I'm Free.' Other performers include Eric Clapton and (most outrageously) the Who's drummer Keith Moon, and through it all Russell is almost religiously faithful to Townshend's artistic vision. Although it divided critics when first released, Tommy now looks likes a minor classic of gonzo cinema, worthy of the musical genius that fueled its creation. --Jeff Shannon
















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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Visually perfect!
I saw this movie when I was young and absolutely loved it. Not a word is spoken, only sung to the Who's rock opera by the same name. I would call this a "modern day silent film". Innovative for its time. Pete Townshend shows that he is one gifted writer and musician.

Briefly, the movie is about a boy who lost his father during World War II before he was born and suffered a tramatic shock when he saw an event. He lost his ability to see and hear and then regains it after a long journey. This is the journey we witness.

When I saw this again the other day, it still had the same impact on me, visually perfect. Since no words are spoken, the story must be conveyed through sight and sound (music), something Tommy is lacking. I grew up in a photographically minded family and remembered my dad liking this movie for the cinematagraphy (he didn't like the Who's music).

This film has a great cast. Roger Daltry, Ann Margret, Tina Turner, Jack Nicholson, Eric Clapton, Elton John and even Keith Moon. It was great to hear Nicholson try to sing, and Elton in those big boots.

You have to like the Who's music to totally enjoy this film, but it still is a visual and musical feast after all these years. Buy and enjoy. This version sounds great on a home theater system!

Oh, if you're too young and don't think you remember the Who's music, think again. All three of the CSIs use the Who's songs as their theme songs. "CSI: Crime Scene Investigation" ("Who are you"), "CSI: Miami"("Won't Get Fooled Again") and "CSI: NY" ("Baba O'Riley"). All written by Pete Townshend and performed by the Who.



Rating: 4 out of 5 stars - Funny 70's retrospective
When I was 18 or so I listened to The Who's music and I also listened to the album Tommy. I can agree that it's not so great, unless you have seen the movie. I finally had the chance to see it recently and I enjoyed enormously.

The movie is a great wink and attempts to laugh at everything, including stardom itself. Nice that it features some performances of the 70s most famous popstars, like Eric Clapton, Tina Turner and Elton John.

Every shot in this movie, from starting with a picknick somewhere in the countryside until Roger Daltrey climbing the same mountainous countryside, is full of nostalgia if you've grown up in the seventies. I can agree with some other reviewers; this movie should not be watched completely sober nor should you be to serious about the plot or characters.

But I don't recall The Who being such a serious band anyway. :-) Enjoy!



Rating: 5 out of 5 stars - The Who!!!
I am thrilled that this is finally affordable and on DVD! One of my favorite movies, Tommy captures the lost feeling we all felt in the 70's. We were not sure what we had to hold onto, and music saved a lot of us from drowning in that nothingness. Pete Townsend's opera says it all.



Rating: 1 out of 5 stars - Not Who but Why?
"Tommy, can you hear me?" I wish I couldn't. A cross between a Broadway musical and rock concert, "Tommy" appeals to fans of neither. If the Who gets you jumping with their heavy, blaring waves of distorted power chords, you'd think there'd be something here for you. You'd think that and you'd be wrong.

In the vein of "Westside Story," Pete Townshend is more in step with Rogers and Hammerstein than Lennon and McCartney. If you have an itch to do this kind of thing fine, but don't drag the good name of the Who down with you. In fact, do it under a pseudonym and keep from tarnishing the Townshend family name as well.

I know it's like a largely forgotten thirty year old movie, but this is like fodder for Mystery Science Theater 3000 rather than something worthy of the Who. I could almost hear my inner-Crow heckling the screen throughout.

Seeing Roger Daultry's expressionless gaze out of my television screen at first made me think, no... no one could possibly have a visage that bereft of the ability to emote, until I realized that I was probably wearing the same look being so disappointed in this project by a band I normally have respect for.

At first I groaned when seeing Elton John had a role here, but when it was all said and done, he was the best part of the film. Both his character of the bully pinball champion and his version of "Pinball Wizard" was more engaging than any other sequence. But for all his effort, they even mis-credited his character at the end by calling him the Pinball Wizard instead of the Champ; Tommy was the Pinball Wizard, right? But who cares.

Certainly not the best rock opera/concept album, "Tommy" does have some claims to being one of the first; I guess if you're a historian of pop-culture you may want view this so you can jot this film down in the footnotes of some rock dissertation somewhere, but otherwise, skip it.



Rating: 2 out of 5 stars - 'Tommy': That "Deaf, Dumb, and Blind Kid" Gets a Lame Treatment
It's hard to downgrade a movie that is inventive. Despite a musical montage that takes risks, `Tommy' is an adventure that mostly fails. It wasn't a bad idea to take the formidable Who rock opera and make it into a musical, but it is an indictment that whenever anybody other than Roger Daltry sings, it is awfully lame. Most of the movie is out of synch.

First of all, the lip-synched singing is too obvious throughout. Oliver Reed (notably Bill Sykes of `Oliver' fame) and Anne Margaret play Tommy's parents, but neither one gives weight to the music, and only Reed barely succeeds with the acting. The story is planted ably enough. Daltry plays the titled character with admirable earnestness. The production is stiff, however, hardly moving, except in an auditorium pinball scene. A rock opera needs to be in motion, and the director has merely cut and paste most scenes as still lifes--deadly to the movie's spirit. It all seems forced.

Nevertheless, there are redeeming values. Some of the symbolism works. Both Tina Turner and Elton John give spirited performances (as the "Acid Queen" and Tommy's pinball rival respectively). A surrealistic living room scene is presented that is truly fluid and engaging. If they had only done the rest of the movie this way, it would have lived up to the breakthrough Who album. (If you must [understandably] satisfy your curiosity, Jack Nicholson's cameo appearance as the Doctor is one of the best in the show.)



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